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Wuthering Heights Film Costumes Praised for Anachronism
Worldtelex1mo ago

Wuthering Heights Film Costumes Praised for Anachronism

Emerald Fennell's film adaptation of Wuthering Heights is being lauded for its intentionally anachronistic costumes, which were initially criticized but are now seen as a deliberate artistic choice by Oscar-winning designer Jacqueline Durran.

Historical Events: On This Day
CultureThe Guardiantimes-uk1mo ago2 sources

Historical Events: On This Day

A regular feature presents a compilation of historical events and significant happenings that occurred on a specific date.

‘It’s not a documentary’: costume designers on ditching accuracy for spectacle
CultureThe Guardian1mo ago

‘It’s not a documentary’: costume designers on ditching accuracy for spectacle

Wuthering Heights is the latest film to turn heads over anachronistic costumes, but it’s not by any means the first Emerald Fennell’s retelling of Emily Brontë’s 1847 novel Wuthering Heights finally hits cinema screens this weekend. Ever since the first set of photos were released, the anachronisms of the costumes have been central to the conversation. As fashion industry watchdog Diet Prada put it: “The costume design for Emerald Fennell’s Wuthering Heights scandalised audiences with its freaky mix of Oktoberfest corseting meets 1950’s ballgowns meets futuristic liquid organza meets … Barbie?” Continue reading...

Rosebush Pruning review – dysfunctional rich family move in strange circles
CultureThe Guardian1mo ago

Rosebush Pruning review – dysfunctional rich family move in strange circles

Jamie Bell and Elle Fanning lead a starry cast in this clumsy satire that provides little fascination in a wealthy family’s suffocating lives Since Jesse Armstrong’s Succession and Emerald Fennell’s Saltburn, wealthy, spoilt, dysfunctional siblings are the new rock’n’roll, and now here is a film from Greek screenwriter Efthimis Filippou (co-author of Yorgos Lanthimos’s Alps and Dogtooth) and directed by Karim Aïnouz. It is a weird-wave contrivance concerning a messed-up US plutocrat clan living in Spain, freely remade from Marco Bellocchio’s 1965 film Fists in the Pocket. Their bizarre and cartoony secrets, involving sex abuse, manipulation and self-harm, are satirically symptomatic of capitalism and the patriarchy, and how the rich, however entrepreneurial and smart, create a next-gen class of useless drones, on whose behalf all this wealth has supposedly been accumulated. I have to admit to finding it heavy-handed and clumsy more often than not, although there are some good performances, notably from Jamie Bell and Elle Fanning. A strange extended family lives in a luxurious modernist house; the father (Tracy Letts) is a blind widower haunted by the memories of his late wife (Pamela Anderson) who was savaged by wolves in a nearby forest. His grownup children, infantilised by wealth, all live there: highly strung Robert (Lukas Gage) has epilepsy, and is entrusted with supervising his father’s horse riding; Anna (Riley Keough) is a talentless singer-songwriter; and Ed (Callum Turner) is a would-be fashionista. First among equals is Jack (Jamie Bell), who has the intimate honour of helping his father with his nightly teeth-cleaning; their mother’s teeth were always dazzlingly white. Continue reading...