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McQueen meets difficult moment with fatalistic glamour at Paris show
WorldThe Guardian1mo ago

McQueen meets difficult moment with fatalistic glamour at Paris show

Seán McGirr inspired by modern identity and ‘London girls’ in one of strongest collections to date, as brand cuts jobs and struggles for momentum Beneath the Paris fashion week hoopla – Chappell Roan resplendent in the front row, champagne flowing backstage – there were dark undercurrents at Alexander McQueen’s Paris fashion week show. The brand has seen a 60% decline in turnover over the past three years. Workforce cuts were made in the London headquarters last year, and a third of the brand...

Meta Zurich Faces Layoffs and Culture Shift
Businessnzz1mo ago

Meta Zurich Faces Layoffs and Culture Shift

Employees at Facebook's (Meta) Zurich office are reportedly experiencing mass layoffs and a shift to a more aggressive company culture, following Mark Zuckerberg's significant investments in the metaverse.

Winter sports scream glamour
Culturecyprus-mail1mo ago

Winter sports scream glamour

By Tamsin Johnson Marks and Spencer is one of the latest UK high-street brands to launch a ski-wear collection. Even supermarket Lidl are in on the action, with their ski range starting from under €5. This follows earlier moves by fast-fashion retailers such as Topshop which launched SNO in the mid 2010s and Zara’s imaginatively […]

London Fashion Week: A season of reinvention
Culturele-monde1mo ago

London Fashion Week: A season of reinvention

From Burberry's urban glamour to Simone Rocha's sportswear revival, fashion houses have revamped their appeal for the fall/winter 2026-2027 collections, presented from February 19 to 23 in the British

Frederick Wiseman brought a uniquely empowering scale to his immersive documents of ordinary life
CulturewsjThe GuardianDaily Star BD1mo ago3 sources

Frederick Wiseman brought a uniquely empowering scale to his immersive documents of ordinary life

His maximal studies of US institutions such as welfare bureaucracy and an intensive care unit were packed with human detail and free from explicit commentary • Frederick Wiseman, prolific documentary film-maker, dies aged 96 The documentary form is often thought to be governed by a manageable feature-length high concept: the story of a person, an institution, an historical episode. The subject itself and the film’s attitude towards it, its editorial slant, are habitually plain enough and the procedure is metonymic: the camera focuses on a part, and the whole is illuminated by implication. Often they have a sexed-up, quirky story to tell, which might mean a selective and sneakily tendentious approach to editing the material. But that is not quite the case with the films of Frederick Wiseman. His colossal, immersive movies about ordinary people and ordinary lives enclosed in some kind of institution, and characterised by the absence of voiceovers, intertitles or the off-camera directorial presence of the interviewing voice, are not amenable to the elevator pitch; they are the entire elevator shaft itself, and the whole building that houses it. Whereas epic-length films might be generally held to be appropriate for big and distinctively historical subjects, such as Claude Lanzmann’s Shoah or Marcel Ophüls’s The Sorrow and the Pity, Wiseman applies the maximal approach to static cross-section studies of sometimes less obviously momentous topics such as Paris’s Crazy Horse nightclub or the French restaurant Le Bois Sans Feuilles. However his greatest works are top-to-bottom body-politic pictures of public institutions, huge, intricate constructions of unglamour; his movies themselves were virtual institutions, movie-edifices mirroring their subjects in architectural form and indeed almost always funded by one particular public institution: PBS, the Public Broadcasting System. Continue reading...

Katie Price Receives Seventh Driving Ban for Speeding
WorldBBCThe Independent5d ago2 sources

Katie Price Receives Seventh Driving Ban for Speeding

Former glamour model Katie Price has been banned from driving for the seventh time after receiving an 80mph speeding ticket. A judge noted her driving record as "one of the worst I have ever seen."

Musikverein Unveils 2026/27 Season Featuring Levit and Jelinek
Cultureder-standarddie-presse21d ago2 sources

Musikverein Unveils 2026/27 Season Featuring Levit and Jelinek

The Musikverein has unveiled its 2026/27 program, which includes Beethoven cycles with Igor Levit and Daniele Gatti, a focus on Franz-Welser-Möst and Yuja Wang, and Elfriede Jelinek's detuned piano, solidifying its reputation as a glamorous cultural institution.

Red carpet diaries: The return of glamour
CultureDaily Sabah25d ago

Red carpet diaries: The return of glamour

Award season has always been fashion’s most theatrical stage, but this year’s red carpets felt particularly powerful. From the Brit Awards to the Oscars and BAFTAs, celebrities onc...

Fair and White Range of Beauty Brands: Celebrating 30 Years of Radiance
Businessvanguard-ng1mo ago

Fair and White Range of Beauty Brands: Celebrating 30 Years of Radiance

By Ingram Osigwe On Friday, March 28,  2014 the prestigious Civic  Centre, Victoria Island, Lagos played host to a bevy of celebrities, beauty enthusiasts, industry stakeholders, distributors and marketers as Fair and White Nigeria was unveiled and its highly efficacious range of beauty products ushered into the market with glamour, glitz and  beauty pageantry. 12 […] The post Fair and White Range of Beauty Brands: Celebrating 30 Years of Radiance appeared first on Vanguard News.

Photos show how 'Love Story' recreated Carolyn Bessette-Kennedy's iconic style
CultureBusiness Insider1mo ago

Photos show how 'Love Story' recreated Carolyn Bessette-Kennedy's iconic style

JFK Jr. and Carolyn Bessette in New York City, and Paul Kelly and Sarah Pidgeon are seen on the set of "Love Story." Mitchell Gerber/Corbis/VCG via Getty Images; Jose Perez/Bauer-Griffin/GC Images/Getty Images "Love Story" follows the doomed love story of JFK Jr. and Carolyn Bessette-Kennedy. The show recreates several of Bessette-Kennedy's iconic looks and timeless style. The show's costume designer was replaced after initial backlash to how star Sarah Pidgeon was styled. The iconic style of Carolyn Bessette-Kennedy has been often imitated but never replicated — until now. "Love Story," which is produced by Ryan Murphy for FX, chronicles the fated relationship between John F. Kennedy Jr. and Carolyn Bessette-Kennedy, who died in a plane crash off the coast of Martha's Vineyard in July 1999. The series has drawn praise for its striking casting — with Sarah Pidgeon bearing an uncanny resemblance to Carolyn Bessette-Kennedy and Paul Anthony Kelly closely capturing the look of John F. Kennedy Jr. — as well as for its thoughtful costume design, which carefully recreates and honors Bessette-Kennedy's real-life style. Here's a look at how the show recreated and paid homage to Carolyn Bessette-Kennedy's style. The series recreated an early Carolyn Bessette-Kennedy look down to the leather loafers. Jenny Landy and Carolyn Bessette Kennedy in New York City in 1995; Sarah Pidgeon is seen filming "Love Story" in New York City. Patrick McMullan/Patrick McMullan/Getty Images; TheStewartofNY/GC Images In this scene, before she meets John F. Kennedy Jr. for the first time, Carolyn (played by Sarah Pidgeon) wears a simple black turtleneck, flared black capri pants, and black leather loafers. In both the show and real life, Bessette-Kennedy worked as a showroom assistant for Calvin Klein before rising the ranks to become head of publicity for the fashion house. Despite marrying into American royalty, Bessette-Kennedy knew how to perfect a casual look. JFK Jr. and Carolyn Bessette in New York City, and Paul Kelly and Sarah Pidgeon are seen on the set of "Love Story." Mitchell Gerber/Corbis/VCG via Getty Images; Jose Perez/Bauer-Griffin/GC Images/Getty Images She was often seen wearing loose Levi's 517 jeans, her hair slicked back into a bun, with a simple monochromatic coat over the top. When it came to recreating the New York City icon's style, the series didn't always nail it. Early leaked images from the set were criticized online for being too modern, fast-fashion-looking, and different from Kennedy-Bessette's more upscale style. In response to the backlash, the show brought in a new costume designer, Rudy Mance, who dedicated himself to making the costumes as accurate as possible. "I get it. I'm protective of [John and Carolyn] as well. We all just wanted to be as precise and accurate as possible," Mance told Variety. Mance said he and his team studied for months throughout filming, comparing old paparazzi photos of the couple with the new looks he was creating for the show and pulling in as many archival and vintage pieces as possible to accurately recreate the look. Part of Bessette-Kennedy's enduring appeal was her dedication to a minimalist, understated style that felt polished yet effortlessly cool. Lawrence Schwartzwald/Sygma/Getty Images; Jose Perez/Bauer-Griffin/GC Images/Getty Images "There's so much mystery about Carolyn. My familiarity with her was through paparazzi images," lead actor Sarah Pidgeon told Vogue. Mance said that recreating Kennedy's style before she was thrust into the public eye was the most challenging. "Everybody knows what they wore from 1996 to 1999, but we were telling the story of how they met," he said, according to Glamour. Her formal looks remained simple but added a sexy edge, a balance "Love Story" tried to recreate. Carolyn Bessette-Kennedy and JFK Jr. in 1998; Sarah Pidgeon in "Love Story." Steve Eichner/Penske Media/Getty Images; FX Networks Bessette-Kennedy often looked effortlessly sexy when she stepped out on red carpets, like in the strapless black Yohji Yamamoto gown photographed above. Pidgeon wears a similar dress for her meet-cute with Kelly in episode one of the series. It was delicate work for Pidgeon to strike the same balance, especially when fans reacted strongly to early images of her in the role. However, the actor told Vogue she was ultimately grateful for the public feedback about her portrayal. "The online conversations at the beginning of the process served as a reminder of how important it was to get our portrayal of Carolyn correct. She grew even more important to me," Pidgeon told Vogue. "People really, really love Carolyn, and my priority every single day on set was doing justice to her legacy." And even when they were recreating simple outfits, the "Love Story" team ensured the fit was similar to what Carolyn would have worn. Carolyn Bessette Kennedy poses for a picture at a gala in 1999; Sarah Pidgeon in "Love Story." Evan Agostini/Liaison/Getty Images; FX Networks Although Bessette-Kennedy's simple outfits could be recreated with off-brand designers — like the white blouse and floor-length black skirt by Yohji Yamamoto that she wore in 1999 — Mance was dedicated to finding archival pieces. Pidgeon was wearing true recreations of Bessette-Kennedy's looks whenever possible. He also ensured the pieces would fit Pidgeon similarly to how they fit Bessette-Kennedy, as Pidgeon told Vogue. "We found her Prada and Valentino coats, and fitted some Levi's so that they looked exactly how they fit Carolyn," Pidgeon told Vogue. By recreating the magic of Bessette-Kennedy's wardrobe, the "Love Story" team offered a window into her world. Carolyn Bessette Kennedy in 1999; Sarah Pidgeon on the set of "Love Story." Justin Ide/Getty Images; Jose Perez/Bauer-Griffin/GC Images/Getty Images Kennedy's clothes were always going to play a central part in her on-screen portrayal since style was so critical to her identity. However, Pidgeon said she hoped the clothes she wears offer a jumping-off point for the total woman she hopes to portray. "She is known as this minimalist fashion icon, but I learned that she was also vivacious, funny, and had a wildness about her," she told Vogue. Read the original article on Business Insider

A Rio Carnival Party That Goes On and On
CultureNYT1mo ago

A Rio Carnival Party That Goes On and On

The Boi Tolo, one of the city’s most iconic street parties, has come to represent the glittery, gritty grass-roots celebration far from the glamour of the official parades.

Vintage Coats Trend for Autumn/Winter 2026
Cultureindex-hr6d ago

Vintage Coats Trend for Autumn/Winter 2026

Fashion runways for Autumn/Winter 2026 are signaling a return to glamour, with designers like Michael Kors presenting opulent coats and long gloves, indicating a desire for beauty and romance in upcoming fashion trends.

“Onobiren” premieres with glitz and glamour
Culturevanguard-ng1mo ago

“Onobiren” premieres with glitz and glamour

Filmmaker and author Laju Iren on Sunday, March 1, 2026, premiered her latest movie, Onobiren, at EbonyLife Cinemas, Victoria Island, Lagos, in an event marked by glitz, glamour and a vibrant display…

Aishwarya Rai Bachchan joins Abhishek Bachchan at Arjun Tendulkar’s wedding
CultureTimes of India1mo ago

Aishwarya Rai Bachchan joins Abhishek Bachchan at Arjun Tendulkar’s wedding

Aishwarya Rai Bachchan made a rare public appearance at a wedding, captivating onlookers with her elegant Manish Malhotra anarkali. Accompanied by Abhishek Bachchan, their polished and synchronized style drew significant attention. The couple, along with Amitabh and Jaya Bachchan, added a touch of Bollywood glamour to the high-profile event, reaffirming Aishwarya's enduring grace.

11 of Carolyn Bessette-Kennedy's best fashion moments
CultureBusiness Insider1mo ago

11 of Carolyn Bessette-Kennedy's best fashion moments

John F. Kennedy Jr. and his wife, Carolyn Bessette Kennedy, attended the Municipal Art Society Gala in 1998. Richard Corkery/NY Daily News Archive/Getty Images Before her death in a plane crash, Carolyn Bessette-Kennedy was a well-known fashion icon. As the wife of John F. Kennedy Jr., she was frequently photographed at glamorous events. Bessette-Kennedy's style is practically a main character in "Love Story." Arguably, no one can nail classic, "cool-girl" style quite like Carolyn Bessette-Kennedy did. Bessette-Kennedy shot to prominence in the mid to late '90s as the girlfriend and then the wife of John F. Kennedy Jr., the son of former President John F. Kennedy and Jacqueline Kennedy Onassis. John F. Kennedy Jr., Carolyn Bessette-Kennedy, and her older sister, Lauren Bessette, were killed in a plane crash on July 16, 1999. There were no survivors from the accident, which happened off the coast of Martha's Vineyard. Before her passing, Bessette-Kennedy was known as a fashion icon, thanks to her minimalist outfits, which embodied what we now call the quiet-luxury aesthetic and featured a color palette of mostly black, white, beige, and navy blue. Her personal style is now coming back into the zeitgeist with the release of Ryan Murphy's "Love Story," which chronicles the couple's seven-year relationship. Here are 11 of Carolyn Bessette-Kennedy's best, most timeless looks. Carolyn Bessette-Kennedy defied the fashion "rule" that you can't mix black, brown, and beige. John F. Kennedy Jr. and Carolyn Bessette-Kennedy stand in front of their apartment in Tribeca. Jon Naso/NY Daily News Archive/Getty Images Pictured here with John F. Kennedy Jr. in front of their Tribeca apartment in New York City, Bessette-Kennedy embodied classic autumnal fashion by pairing patent-leather brown boots with a simple black sweater and a camel-colored, calf-length skirt. She accessorized with an understated black-leather bag and swept her blonde hair back into a low ponytail. Before she married John F. Kennedy Jr., she was a publicist at Calvin Klein, which appeared to influence her personal style. Carolyn Bessette-Kennedy at the Annual Fundraising Gala on March 9, 1999. Evan Agostini/Liaison/Getty Images Bessette-Kennedy knew how to ace perfectly tailored, classic pieces similar to the ones Klein is known for, like this structured white button-up and black mermaid-tail skirt. Vogue called this minimalist look "the epitome of uptown glamour without compromising her pared-back aesthetic." She largely stuck to a basic black palette for formal events. John F. Kennedy Jr. and Carolyn Bessette-Kennedy at the Municipal Art Society Gala in 1998. Richard Corkery/NY Daily News Archive/Getty Image Pictured here with her husband at the Municipal Art Society Gala in 1998, Bessette-Kennedy wore a strapless black column gown, velvet gloves, and pointed strappy stiletto heels. However, for an off-duty look, she didn't shun color altogether. Carolyn Bessette-Kennedy in New York City in 1996. Lawrence Schwartzwald/Sygma/Getty Images In 1996, while walking around New York City, she was photographed wearing a flowy summer dress with a bright floral print, black strappy heels, and a black, patent-leather handbag. She looked effortlessly cool in a pair of perfectly tailored jeans and strappy sandals. Carolyn Bessette-Kennedy in New York City in 1996. Lawrence Schwartzwald/Sygma/Getty Images This classic look, from the black sleeveless tank to the brown-and-cream heeled sandals, would still be stylish now. She often accessorized with a pair of sunglasses. Carolyn Bessette-Kennedy walking on Madison Avenue in 1997 Lawrence Schwartzwald/Sygma/Getty Images These rounded black sunglasses paired with a black button-up and green cargo pants epitomized '90s fashion. She was also the master of a classic coat. Carolyn Bessette-Kennedy in January 1997. Lawrence Schwartzwald/Sygma/Getty Images While heading to the airport to catch a flight for Bill Clinton's inauguration in January 1997, Bessette-Kennedy was photographed wearing a camel-colored skirt, black leather boots, and a belted black suede coat. Nothing screams classic New York style like a pair of jeans, a white T-shirt, and a black leather jacket. Carolyn Bessette-Kennedy in October 1996. Lawrence Schwartzwald/Sygma/Getty Images She finished the look with a tortoise-shell headband and a pair of oval sunglasses. Even for events, she leaned into structured outerwear. John F. Kennedy and Carolyn Bessette during "Newman's Own" George Awards at US Customs House in New York City in 1999. Ron Galella/Ron Galella Collection via Getty Images When attending the Newman's Own George Awards in 1999, she paired a black coat with ruffled detailing with simple black pants and strappy heels. Even when walking around New York City, she upgraded an otherwise casual look by choosing designer pieces. John F. Kennedy Jr. and Carolyn Bessette-Kennedy walk in New York City in 1996. New York Daily News/NY Daily News via Getty Images In this 1996 ensemble, she layered a grey Miu Miu dress beneath a sleek black coat, striking a balance between understated elegance and effortless cool. Tall black boots elongated the silhouette, while a glossy patent-leather bag added a more playful touch. Carolyn Bessette-Kennedy will always be remembered as a fashion icon. John F. Kennedy Jr. and Carolyn Bessette-Kennedy in 1997. Brooks Kraft LLC/Sygma/Getty Images Bessette-Kennedy effortlessly blended elegance and simplicity in her fashion, becoming one of the decade's most recognizable style icons. There's no arguing that Bessette-Kennedy, through her iconic minimalist style, made a lasting impact on the fashion world. She showed that while fast-fashion trends come and go, simple elegance lasts forever. Read the original article on Business Insider