The Emmy submissions for the HBO Max miniseries 'Half Man' have been revealed, with Richard Gadd being submitted in the supporting actor category.

Actor Jamie Bell, known for 'Billy Elliot,' discusses his new series 'Half Man,' where he plays a man in denial, and reflects on themes of repression, male role models, and the fear of truth.

An image published by The Daily Star features the British actor Jamie Bell, likely in connection with a film, event, or interview.

Richard Gadd's new show 'Half Man,' his first project since 'Baby Reindeer,' has set its premiere dates for April 23 on HBO and April 24 on the BBC, and will co-star Jamie Bell.

Mitchell Robertson, who played Niall in "Half Man," shared his reflections on the character and the series as it concluded, noting the role's lasting impact on him even after Jamie Bell took over.

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The six-part drama is the hotly anticipated follow-up to Gadd's Emmy-winning 'Baby Reindeer.'

Actor Jamie Bell opens up about his challenging starring role in Richard Gadd’s brutal toxic masculinity series 'Half Man,' contrasting it with his 'Billy Elliot' days and detailing the demanding shoots.

Jamie Bell and Elle Fanning lead a starry cast in this clumsy satire that provides little fascination in a wealthy family’s suffocating lives Since Jesse Armstrong’s Succession and Emerald Fennell’s Saltburn, wealthy, spoilt, dysfunctional siblings are the new rock’n’roll, and now here is a film from Greek screenwriter Efthimis Filippou (co-author of Yorgos Lanthimos’s Alps and Dogtooth) and directed by Karim Aïnouz. It is a weird-wave contrivance concerning a messed-up US plutocrat clan living in Spain, freely remade from Marco Bellocchio’s 1965 film Fists in the Pocket. Their bizarre and cartoony secrets, involving sex abuse, manipulation and self-harm, are satirically symptomatic of capitalism and the patriarchy, and how the rich, however entrepreneurial and smart, create a next-gen class of useless drones, on whose behalf all this wealth has supposedly been accumulated. I have to admit to finding it heavy-handed and clumsy more often than not, although there are some good performances, notably from Jamie Bell and Elle Fanning. A strange extended family lives in a luxurious modernist house; the father (Tracy Letts) is a blind widower haunted by the memories of his late wife (Pamela Anderson) who was savaged by wolves in a nearby forest. His grownup children, infantilised by wealth, all live there: highly strung Robert (Lukas Gage) has epilepsy, and is entrusted with supervising his father’s horse riding; Anna (Riley Keough) is a talentless singer-songwriter; and Ed (Callum Turner) is a would-be fashionista. First among equals is Jack (Jamie Bell), who has the intimate honour of helping his father with his nightly teeth-cleaning; their mother’s teeth were always dazzlingly white. Continue reading...