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Why Ariana Grande Will Miss Actor Awards 2026
Cultureenews1mo ago

Why Ariana Grande Will Miss Actor Awards 2026

Ariana Grande isn’t skipping award shows for good. E! News can confirm, however, that the Wicked: For Good star won’t be attending the Actor Awards on March 1 as she is in rehearsals for her...

"Hubris Generally Precedes Clusterf**k": Does It Smell Like Victory?
Politicszerohedge1mo ago

"Hubris Generally Precedes Clusterf**k": Does It Smell Like Victory?

"Hubris Generally Precedes Clusterf**k": Does It Smell Like Victory? Authored by James Howard Kunstler, The message seems to be something like the USA isn’t messing around with all those strike forces in the waters around Iran. The Islamic Republic suddenly looks like Rock-and-Hard-Place-Land. Everybody and his uncle are trying to figure out the calculus in play, World War Three or a happy ending? You’re seeing the most significant US military build-up over there in memory. Smells a little bit like first Gulf War, 1991 — minus all those allies we roped in then. Mr. Trump (via Marco Rubio) has read Euroland out on this one. We are in a cold war with those birds, in case you haven’t noticed. The UK, France, Germany & Co.? They are as crazy as the ladies of The View and their millions of Cluster-B followers. Euroland is yet in thrall to the climate nutters, the farm-and-industry-destroyers, the one-worlders, the Jihad-migrationists, the floundering banksters, and the Klaus Schwab wannabes. Euroland seeks to throttle free speech throughout Western Civ and meddle in everyone’s elections. Euroland keeps mouthing off about a war with Russia despite having no military mojo and going broke-ass broke faster than you can say Götterdämmerung. Bottom line: the US is going solo on this one. What is the objective? Ostensibly “a deal” over Iran’s nuclear weapons program. Like, just cut it out, will you, please? By the way, did you know that Supreme Leader Ayatollah Khamenei issued a fatwa in 2005 saying production, stockpiling, and use of nuclear weapons was forbidden under Islam. But then deception is allowed in Islam under the doctrine of taqiyya, against the threat of attack from hostile forces, I’m sure you remember Operation Midnight Hammer in June last year when we attacked and supposedly “obliterated” Iran’s nuclear research and development bunkers at Fordow, Natanz, and Isfahan? They got pretty banged-up, you may be sure, and nobody in Iran denied there was something nukey going on in those installations. Is there a will there to rebuild the whole darn infrastructure of uranium enrichment and so forth? The mullahs are not saying, which means: of course, they intend to continue developing nuclear weapons — and even if that’s a stupid and futile gambit, given recent history, they still have factories churning out plain old long-range ballistic missiles and new drones by the thousands. Let’s face it: the mullahs are hardcore for Jihad and martyrdom. Since being elevated to Supreme Leader in 1989, Ayatollah Khamenei has sought relentlessly to transform the traditional Islamic concept of Jihad and establish it as the central pillar of the regime’s ideology. Are we doing Israel’s bidding there? (Cue: roar of affirmation.) But then, Israel has a point. Iran has been cuckoo for going on forty years. If Israel wasn’t a target of the mullahs’ eternal Shia wrath, there are their other enemies, the Sunni, on the west side of the Persian Gulf (and next door in Iraq). And consider, too, Iran’s obdurate sponsorship of Jihad, wherever possible, both within and outside the Ummah — including especially Western Civ, where low-grade Jihad has been going on for over a decade. . . mass murders, rape gangs, beheadings, trucks through the Christmas markets. . . . Okay, if Euroland is out, what about the other big dogs, Russia and China. Will they just stand by and let the US have its wicked way with Iran? Russia sent a corvette-class naval vessel down to the Straits of Hormuz for a joint operation with Iran’s navy, but what does that mean? Probably not much more than occupational therapy. Besides, Mr. Trump is just now promising to bring Russia “out from the cold” of all those onerous economic sanctions. . . to begin the process of normalizing relations. You might doubt that Russia wants to blow that for Iran’s sake. And, while it is somewhat out of the news due to the Epstein stink-bomb, and the deepness of mid-winter, there is still a war going on over in Ukraine. Which is to say, the Russians have their hands full in their own back-yard and might, perhaps, be hesitant about piling-on in Iran. And, let’s just suppose that the US objective is actually regime change in Iran. Would Russia be indisposed if the mullahs got kicked out of power? I doubt it. Russia has longstanding annoying issues with Islamic factions distributed throughout their adjoining former Soviet republics. Russia does not need Jihad. Russia might actually live more comfortably with Iran under a secular government, tilting a bit more western in temperament. Just sayin’. . . . China has more urgent concerns with Iran. China gets around 13-percent of its oil imports from Iran, and it enjoys a three to four percent discount on it. Regime change or war that could damage Iran’s oil terminals would be bad news for China. But then, China is at a long geographic remove from Iran, and China is not used to conducting military adventures so far from home, so don’t expect much assistance there. China’s other option would be to start a kerfuffle over Taiwan to distract and divert the US. We’ll just have to see about that. Uncle Xi Jinping has been busy lately sacking the upper echelons of his own military leadership. Are they even ready for action? Plus, China’s economy is wobbly. Consider also: has the US given China assurances of continued oil imports from Iran if it steers clear of the situation there? What are we operationally capable of over in Iran with all our warships, fighter jets, and other stuff? I don’t know. . . and neither do you. Looks impressive, but a couple of Sunburn-type missiles landing on the USS Abraham Lincoln could produce a profound instant attitude adjustment. Perhaps President Trump, WarSec Hegseth, and StateSec Rubio have more refined plans for disarming Iran and surgically removing the cuckoo-birds in charge. Our guys are certainly acting confident. But then in geopolitics confidence is best friends with hubris. And hubris generally precedes clusterfuck. The art of the deal is not for sissies. Tyler Durden Fri, 02/20/2026 - 16:20

‘Descendants: Wicked Wonderland’ First Look Teaser: Red & Chloe Face Threat From Ruthless Villain Maddox Hatter In Preview For Disney Film
Culturedeadline1mo ago

‘Descendants: Wicked Wonderland’ First Look Teaser: Red & Chloe Face Threat From Ruthless Villain Maddox Hatter In Preview For Disney Film

Disney Channel released a first-look teaser of Descendants: Wicked Wonderland, the new installment of the successful Descendants franchise. The preview aired ahead of the Descendants / Zombies Worlds Collide: Concert Special, which is now available to stream on Disney+. Descendants: Wicked Wonderland explores what “happily ever after” really means for Red (Kylie Cantrall) and Chloe […]

Mier Liu’s Microdrama House SWZZ Media Hires Nathalie Sar-Shalom To Scale L.A. Production
Culturedeadline22d ago

Mier Liu’s Microdrama House SWZZ Media Hires Nathalie Sar-Shalom To Scale L.A. Production

EXCLUSIVE: Microdrama producer SWZZ Media has hired Nathalie Sar-Shalom, as the company scales its L.A. production operation. Sar-Shalom has joined as a producer after several years freelancing for the likes of Wicked Lovely Films & Media and MakeMake Entertainment. Mier Liu’s SWZZ is known for vertical video series such as NetShort’s The Godfather’s Secret Lover, […]

AMC Theatres Attendance Drops 10%, Quarterly Revenues Fall
Culturevarietyhollywood-reporterdeadline1mo ago3 sources

AMC Theatres Attendance Drops 10%, Quarterly Revenues Fall

“Avatar: Fire & Ash,” “Wicked: For Good” and “Zootopia 2” may have dominated the holiday box office, but they weren’t enough to lift AMC Theatres’ quarterly earnings. The world’s largest exhibitor reported that revenues for the three-month period ending in December topped out at $1.28 billion, down 1.4% from the $1.3 billion it recorded a […]

Bloody brilliant or toothless? Cynthia Erivo’s Dracula – reviews roundup
CultureBBCThe Guardiantimes-uk1mo ago3 sources

Bloody brilliant or toothless? Cynthia Erivo’s Dracula – reviews roundup

The Wicked star plays all 23 characters in a hi-tech London staging of Bram Stoker’s novel by Kip Williams. Here’s a bite-sized look at the critics’ verdicts Dracula, the Ur-vampire and ultimate outsider of the literary canon, is played by Cynthia Erivo, along with every other character, in this deliciously wicked tale of the blood-sucking count. Except it’s not deliciously wicked in adapter-director Kip Williams’ stage reinvention. Williams has proven himself a Midas-touched spinner of old stories to new. His one-woman version of The Picture of Dorian Gray was deliriously original. His take on Jean Genet’s The Maids was punk inspired. What has happened here? Arifa Akbar, the Guardian As in the Australian director’s hit adaptation of The Picture of Dorian Gray (immaculately interpreted by the Succession star Sarah Snook), the stage is sometimes so crowded with camera operators and stage crew that it’s not always easy to see Erivo. The shallow rake in the stalls makes this theatre a less than ideal setting for Marg Horwell’s handsome scenic design: I spent at least half the evening watching the action on the large screen hanging overhead. Yet it becomes a hallucinatory experience all the same. Erivo dons wigs and skirts and recalibrates her voice to play Harker’s fiancee Mina and her friend Lucy; then spectacles to play psychiatrist Dr Seward and comic Saruman tresses for a guttural Van Helsing. It’s to her credit, and Williams’, that one sometimes loses track of which character is being broadcast live and which is recorded. The integration is mostly seamless. Personifications of Irish and American characters are knowingly ridiculous, but Dracula always had a vein of camp. It’s refreshing to see Erivo get to own her queerness on stage, licking her lips lasciviously as a lace-decked Lucy who’s in sexual thrall to an androgynous Dracula – or strutting confidently in a masculine vest with silver chains (a welcome escape from her feminine get-ups in Wicked). She unleashes her ethereal voice to haunting, vulpine effect in the final scenes, where she finally gets to embody Dracula’s power on a bare stage, unobscured by tech and crowds. The multi-faceted approach speaks to the way that Stoker cut between first-person perspectives using a document-sharing and epistolary form. Equally, Williams’ boundary-breaking artistic toolkit brings out the thematic heart of the matter; it emphasises the way in which the predatory count stokes fears but also embodies deep-rooted desires. Erivo seems ill at ease with the material. There’s a hesitancy about her performance, as if she were wrong-footed by the technology that surrounds her. A scattering of arch, self-conscious moments and sly humour are part of the deal in Williams’ interpretation, but nothing feels truly felt and, as she switches between characters, the individual voices are not always properly differentiated. The overall effect is slightly ramshackle, sluggish and, in the end, frustratingly short on dash and drama. Erivo’s range is remarkable – alternately placid, pert, prowling and predatory. A Tony award-winning star of musical theatre in The Color Purple, she despatches one melancholy torch song by Clemence Williams with wistful nonchalance. Otherwise, her athletic efforts are magnified by a filmic soundtrack encompassing Tchaikovsky’s Nutcracker, Chopin, Björk and even a bit of electro-trance music. For truly this is a mind-bogglingly complex show, which goes beyond the kitchen sink in its attempts to create an audio-visual hallucination. The effects, with Craig Wilkinson as video designer, are impressive: a vampire flying by, Dracula crawling down the wall. The camera operators, wig providers, stage managers and props assistants are all assiduous and wonderfully efficient. Marg Horwell’s design is effectively flexible, Nick Schlieper’s lighting and the sound design by Jessica Dunn suitably dramatic, though Clemence Williams’ score becomes increasingly over-emphatic. Despite stumbling over the odd line, Erivo is charismatic, game, and essentially does her best as a cog in Williams’ elaborate machine. But if you agree to tie your big comeback to a very specific directorial vision, there’s not much even a superstar actor can do if that vision is faulty. Continue reading...