PERSPECTA

News from every angle

Results for "Wim Wenders"

18 stories found

‘My guitar was mangled – like my life!’ Goo Goo Dolls on how they made epic ballad Iris
CultureThe Guardian1mo ago

‘My guitar was mangled – like my life!’ Goo Goo Dolls on how they made epic ballad Iris

‘I’m grateful to Taylor Swift, and others who have covered it, for introducing it to a new generation. Three billion streams on Spotify is astonishing!’ I was going through a divorce and living in a hotel in West Hollywood when my manager said Warner Brothers were seeking songs for the movie City of Angels. They already had U2, Peter Gabriel and Alanis Morissette, so I thought getting a track on there would draw attention to us. Warners showed me the film and it was like Wim Wenders’ Wings of...

Berlinale 2026 Winners Announced
Culturevarietyhollywood-reporterdeadline1mo ago3 sources

Berlinale 2026 Winners Announced

The international jury, led by Wim Wenders, announced the Gold and Silver Bear winners at the Berlinale film festival.

Scare Out review – twisty spy thriller is all style, little substance
CultureThe Guardian1mo ago

Scare Out review – twisty spy thriller is all style, little substance

Master director Zhang Yimou’s latest features eye-popping stunts and futuristic tech as spies hunt a mole providing the West with intelligence Back in the 1980s and 90s, Zhang Yimou (Ju Dou, Raise the Red Lantern) was acclaimed as one of the most talented directors to emerge from China’s “fifth generation”, film-makers whose work broke with the socialist realist style of their predecessors. While still working within the establishment industry, the fifth generation – including Chen Kaige and Tian Zhuangzhuang – were considered to varying degrees if not quite dissident, at least somewhat heterodox and anti-authoritarian. Either way, having started out as a cinematographer, Zhang quickly became an arthouse darling abroad, feted for his lush visual style, his command of highly kinetic action sequences (as seen in wuxia extravaganzas like Hero and House of Flying Daggers) and eye for spotting and showcasing great female actors, such as Gong Li and Zhang Ziyi. Today, in a very different political and national landscape, Zhang doesn’t have the same heroic, darling-of-the-west aura anymore. He’s become an establishment figure and chief engineer of state-sponsored spectacles like the opening and closing ceremonies for the Beijing Olympics and Winter Olympics. If, unlike Wim Wenders, you can’t entirely separate politics from art, then Zhang’s latest, Scare Out, looks like pro-state propaganda, given it is about spies trying to flush out a mole among their ranks who is smuggling super-secret tech to nefarious western rivals. Continue reading...

Berlin film festival defends Wim Wenders after Arundhati Roy attacked ‘jaw-dropping’ comments
CultureThe Guardian1mo ago

Berlin film festival defends Wim Wenders after Arundhati Roy attacked ‘jaw-dropping’ comments

Berlinale head says artists should not be pushed into soundbites after author quit over president’s remarks that film-makers should ‘stay out of politics’ The Berlin film festival has issued a lengthy statement “in defence of our film-makers, and especially our jury and jury president”, after what it described as a “media storm that has swept over the Berlinale” in its first few days. The defence follows criticism levelled at the jury, in particular president, Wim Wenders, for comments made when fielding questions about the war in Gaza. Asked during the opening press conference if films can effect political change, the German film-maker said that “movies can change the world” but “not in a political way”, adding that film-makers “have to stay out of politics”. Continue reading...