Nightborn review – Rupert Grint bringing up a monster baby

Dark forces give new parents more than they bargained with in this unsubtle Finnish horror from Hanna Bergholm Finnish director Hanna Bergholm made a witty and unnerving baby-body-horror movie with her 2022 debut Hatching about a creepy giant egg, a complex, psychologically plausible study of family dysfunction in which the idea of fertility plays an important part. And now … she has given these ideas a retread with this programmatic and unsubtly acted film, a scary movie about a monstrous newborn that is very much less interesting and original than Hatching; the paganism is cliched and the element of black comedy – so often the alibi for not being scary in films like this – is really not all that funny. The face and body of the screeching VFX model devil-baby itself is mostly never shown to the audience, an omission that does not seem disturbing but rather an admission that this prop wouldn’t look convincing in plain sight. Saga (Seidi Haarla) and her stolid British husband Jon (Rupert Grint) have come to live in Saga’s dilapidated family home in the remote Finnish forest, planning to fix it up so that it can be a lovely place to bring up what they hope will be a big family. (Fixing up this place would in the real world take a couple of years while they lived somewhere else, but they more or less manage it unaided in about two weeks.) Saga is obscurely moved and excited by the vital subterranean forces throbbing in the dark depths of the forest that surrounds the house. They have passionate sex there but the resulting baby is a brutal, hirsute, bloodsucking troll that destroys Saga’s marriage and happiness. Continue reading...

By Peter Bradshaw