Catherine Opie: To Be Seen review – a queer carousel of tattoos, fake moustaches and toddlers in tutus

From butch alter egos to radical images of motherhood, the photographer rises to the challenge of capturing her community in imposing and glorious style Catherine Opie has done for butches what Hans Holbein the Younger did for the Tudor nobility. Since she graduated in the late 1980s, amid the Aids crisis, Opie has made portraits of her community, friends and family, adopting unflinching realism, saturated colours, and dramatic tonal contrasts from the 16th-century portrait painters. Many of...

By Charlotte Jansen