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Reviews Released for Netflix Comedy 'Ladies First'

Reviews have been released for the new Netflix comedy 'Ladies First,' starring Sacha Baron Cohen and Rosamund Pike. Critics describe the film as a high-concept, battle-of-the-sexes comedy that is largely predictable and relies on a single joke.

22 May, 04:46 — 22 May, 07:00
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Source Diversity

Moderate (42/100)
3 sources25/33
Spectrum spread2/5 buckets covered8/33
Far L1
Far Left (1)
The Guardian
Left2
Left (2)
hollywood-reportervariety
Center
Right
Far R
Geographic diversity2 regions9/34
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Sources

Showing 3 of 3 sources
The GuardianMostly Factual1h ago

Ladies First review – Sacha Baron Cohen and Rosamund Pike come last in one-joke Netflix comedy

A misogynist is made to learn the error of his ways in this painfully dated and embarrassingly star-packed sexism comedy In its attempt to become a one-stop shop for just about every form of nostalgia possible, Netflix has now decided to revive the dreadful British comedy of the 2000s. Films such as Sex Lives of the Potato Men, Three and Out, Fat Slags and Lesbian Vampire Killers saw creatives boldly stand up to Hollywood and declare that whatever they could do, the UK film industry could do ...

By Benjamin Lee

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varietyMostly Factual3h ago

‘Ladies First’ Review: Sacha Baron Cohen and Rosamund Pike Trade Places in a Dated Battle-of-the-Sexes Comedy

At a time when laws change daily to restrict women’s bodily autonomy, protect men from accountability and reinstate antiquated values that benefit a few at the expense of the many, sexual politics can feel more regressive than ever. But as uneven a playing field as women may face against men in their lives, relationships and […]

By Todd Gilchrist

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hollywood-reporterMostly Factual1h ago

‘Ladies First’ Review: Sacha Baron Cohen and Rosamund Pike in a Netflix Comedy That’s High-Concept but Hopelessly Predictable

An arrogant male chauvinist wakes up in a world dominated by women in Thea Sharrock's satirical film, co-starring Charles Dance, Emily Mortimer and Richard E. Grant.

By Frank Scheck

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