
Cynthia Erivo's Dracula Adaptation and Storytelling Handbooks Reviewed
Reviews critique Cynthia Erivo's 'Dracula' for missing the point despite tech, and John Yorke's storytelling handbook for verbal incontinence.
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Moderate (37/100)Sources
Trip to the Moon by John Yorke review – a storytelling handbook in dire need of an edit
A producer shares his tips for tight storylines, but they’re marred by verbal incontinence and hyperbole Creative writing handbooks are almost an industry in themselves: the fledgling author, dramatist or screenwriter can choose from hundreds of titles, all offering to unlock the secrets of storytelling. These books are of limited utility for literary fiction, where plot is secondary, but if you’re writing for the screen or stage, or working on genre fiction, they can be helpful. Commercial, plot-driven storytelling is, this is an inherently formulaic business, and a working knowledge of narrative structure is a crucial foundation for an aspiring writer. In his bestselling 2014 treatise on the mechanics of narrative, Into the Woods, John Yorke demonstrated the uncanny prevalence of five-act structure (exposition, rising action, climax, falling action, denouement) in many popular movies, plays and television dramas. He reprises this theme in his new book, which starts with a lengthy disquisition on plot architecture. The five-act framework, Yorke explains, is elegantly conducive to an emotionally compelling journey, with the protagonist typically undergoing a transformative revelation at the story’s mid-point. He illustrates this with reference to hit TV programmes such as I May Destroy You, and films including Star Wars and Terminator 2. Continue reading...
By Houman Barekat
Read full article →If I Had Legs I’d Kick You review — Rose Byrne deserves to win an Oscar - The Times
If I Had Legs I’d Kick You review — Rose Byrne deserves to win an Oscar The Times
Read full article →Cynthia Erivo’s one-man Dracula misses the point
Kip Williams' new adaptation of the classic proves that tech can dull a performance.
By Emily Lawford
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