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Javier Bardem Discusses Role in Apple TV+'s 'Cape Fear' Adaptation

Apple TV+ has released an episodic adaptation of 'Cape Fear,' starring Javier Bardem and Amy Adams. Reviews describe the series as a worthy and disturbing psychological thriller, with Javier Bardem discussing his role as Max Cady while also filming 'Dune: Part Three'.

3 Jun, 13:00 — 3 Jun, 18:21
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Showing 4 of 4 sources
The GuardianMostly Factual15d ago

Cape Fear review – Amy Adams and Javier Bardem’s immaculate update is a wild, wild ride

Bardem has the absolute time of his life terrifying everyone in this remake of the classic thriller. It’s a masterclass in tension, sublime directing – and never forgets the power of a jump scare “Ever look around and wonder if we deserve all this?” a woman asks, standing by their sprawling mansion’s swimming pool with her handsome, ripped, fellow lawyer husband. “No,” he replies. Cape Fear is on Apple TV on 5 June Continue reading...

By Lucy Mangan

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varietyMostly Factual15d ago

Javier Bardem and Amy Adams’ ‘Cape Fear’ Is a Worthy and Disturbing Psychological Thriller: TV Review

John D. MacDonald’s novel “The Executioners” has been adapted for film twice as “Cape Fear”: first in 1962, starring Robert Mitchum, and again in 1991, starring Robert De Niro and directed by Martin Scorsese. The latest adaptation, an Apple TV series created by Nick Antosca, is perhaps the most unnerving and intense retelling yet. A […]

By Aramide Tinubu

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hollywood-reporterMostly Factual15d ago

Javier Bardem on Becoming Max Cady in New ‘Cape Fear’ Adaptation — While Also Shooting ‘Dune: Part Three’

The star takes on the role previously played by Robert De Niro and Robert Mitchum in Apple's 10-episode remake, which also stars Amy Adams and Patrick Wilson.

By Kirsten Chuba

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nmeMostly Factual15d ago

‘Cape Fear’ review: psych-thriller reimagining sticks closer to book than Scorsese’s classic

Can Javier Bardem and Amy Adams stay afloat amid the choppy seas of fan expectation? The post ‘Cape Fear’ review: psych-thriller reimagining sticks closer to book than Scorsese’s classic appeared first on NME.

By Priya Elan

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